Call for arts support in Northern Ireland

Call for arts support in Northern Ireland

Arts sector representatives and tourist companies in Northern Ireland have called on politicians to recognise the important role the arts plays in the economy of the region.

Music venues survey shows third ‘under threat’

Music venues survey shows third ‘under threat’

But Scotland embraces ‘Agent of Change’ principle.

Hockney is critics' choice

Hockney is critics' choice

David Hockney is to receive the Critics’ Circle Award for 2017, only the second time a visual artist has been selected for the prestigious prize in the Circle’s 105-year history.

Photojournalism's art gallery

Photojournalism's art gallery

A new website at last gives Fleet Street’s photographers a showcase for their work as art. Simon Tait spoke to its founders, Fleet Street veterans Alan Sparrow and Bret Painter-Spanyol

Museums' collecting frozen by funding cuts

Museums' collecting frozen by funding cuts

Britain’s museums are being increasingly excluded from the art market by cuts in funding, stifling the acquisitions that are the life force for public collections.

Creative industries on track to create 1m local jobs - Nesta

The creative industries are driving the UK’s economic growth, expanding twice as fast as any other sector, according to new research by Nesta.

BAFTA/BFI set harassment zero-tolerance rules

BAFTA/BFI set harassment zero-tolerance rules

Film and television organisations led by BAFT and the BFI have set a series of principles and guidelines to deal with bullying and sexual harassment in the industry.

Tax deal takes early Freuds back to Lakes

Tax deal takes early Freuds back to Lakes

Two really portraits by Lucian Freud have been left to the nation in lieu of tax and allocated to the Abbott Hall Gallery in Kendal.

Mary Beard to front Front Row

Mary Beard to front Front Row

The classics professor Mary Beard is to anchor the revamped television version of the arts review magazine Front Row when it returns in the spring.

17c mystery painting still baffling experts

17c mystery painting still baffling experts

This large picture of 1665 by an anonymous artist is one of the great mysteries of the art world, and is the centerpiece of a forthcoming major Norwich Castle Museum exhibition.

London goes Underground

London goes Underground

Photographs of some faces and places associated with the capital go on display at five London Tube stations this week.

British Art Fair goes to the Saatchi

British Art Fair goes to the Saatchi

Celebrating its 30th birthday this year, the 20/21 British Art Fair has changed ownership and will move to the Saatchi Gallery.

National Gallery visitor figures slump

National Gallery visitor figures slump

The National Gallery and National Portrait Gallery are losing visitors, by 20% and 42% respectively, according to figures for May to December 2017 published in The Times.

Call for special arts visas

MU and Dance UK suggest post Brexit measures

New ACE youth chiefs

New ACE youth chiefs

Arts Council England have appointed Hannah Fouracre as director of music education, and Anne Applebaum as director of children and young people.

THEATRE    Caesar and the young citizens

THEATRE Caesar and the young citizens

The Royal Shakespeare Company’s First Encounters tour not only takes Shakespeare to schools in deprived areas, it makes their pupils part of the production. Simon Tait reports in the first of a two part feature on the RSC’s touring. Next month, AI talks to deputy artistic director Erica Whyman about mainstage touring

Creative Scotland U turn on funding

Creative Scotland U turn on funding

Funding restored to five companies 

Sheffield to leave British Council

Sheffield to leave British Council

Graham Sheffield is to leave the British Council in June after seven years as director arts.

YOUTH Forbidden music

Disabled and disadvantaged young musicians are being barred from training, but a consortium of three major venues around the country has vowed to open opportunities for them. Simon Tait reports

Those with special education needs and disabilities (SEND) and from other minority groups are being barred from developing their music skills by an inadequate education system. Many talented young musicians may never know how gifted they are because opportunities have been denied them.

Three major venues, at different parts of England, have decided to take matters into their own hands, and have launched a collaborative scheme to provide at least some of the chances the formal system has closed off. So new is the emerging scheme it doesn’t even have a name yet.

[Image shows, left to right, Louise Mitchell,Thangam Debbonaire MP and Clarence Adoo at the scheme's Westminster launch]

“Many people are being excluded from music education and it’s going to have an impact on our life and creativity fare into the future” says Louise Mitchell, chief executive of the Bristol Music Trust (BMT), which now runs the city’s main concert venue, Colston Hall. “People will look back in 50 years and be absolutely amazed at the decisions that were made. We’re going to try to fill the gap.”

“We” are the BMT through its Bristol Plays Music team, Sage Gateshead and the Barbican in the City of London. Each of them is a major music venue: Sage Gateshead opened in 2004 and has become the leading musical venue on the east side of the country with a speciality of cross-genre music; the Barbican has deep experience of bringing music to the young of London’s East End, and in 2023 hopes to open its new £200m music centre; and the BMT will close Colston Hall next June for a £48m remake to reopen in 2020.

They will devise together, using each other’s expertise, to create programmes to bring and train young SEND people, but also black, Asian and minority ethnic (BAME) and those from deprived areas. Their “strategic partnership”, as it is being called, was announced at the Houses of Parliament in November among a group of peers and MPS, including culture minister Matt Hancock.

Bristol MP – and former National Youth Orchestra cellist – Thangam Debbonaire was also there. “I was trained as a classical musician and I certainly noticed that I was usually the only non-white person in the orchestra” she says. “I also know it was difficult for musicians with disabilities to take part easily. Music brings great joy, it belongs to everyone and should not be the preserve of a small group”.

A special guest at the reception was Clarence Adoo, a trained trumpet player who was paralysed from the neck down in a road crash in 1995 and fought back to become a prolific performer and the orchestral and health programme leader at Sage Gateshead, even inventing head-set that enables him to play. “At Sage Gateshead we believe all people should have equal opportunities to engage with music” he said at the event. “We could not be more pleased to share a vision of musical inclusion with our partners, - collectively we can increase social connection with our communities and demonstrate how music can contribute to addressing some of the most significant health and social problems”.  The Sage already has a wide programme of artist development.

The Barbican has a creative learning division to access and support people formal backgrounds which reached 80,000 people last year.  The director learning and engagement for the Barbican and its sister the Guildhall School of Music and Drama, Sean Gregory, said: “We share a collective desire to achieve sustainable social impact through the arts and we are looking forward to working together to further promote inclusion and accessibility in music-making.”

But it’s more than “promoting inclusion”, Louise Mitchell explains: “We’re keen to get beyond the single project idea, because we know there’s a difference between doing inclusion and being inclusive. Inclusivity has to be in our everyday practice, not a three-year special programme”.

So the three, despite the distance between them, are working closely together to devise permanent programmes within their venues and their associated ensembles to create the openings the education system cannot.

Specifically, they are focussing on accelerating musical opportunities for young SEND musicians and others learning to make music in challenging circumstances; devising and sharing teacher training for SEND and BAME groups; and analysing, evaluating and where necessary revising how their practice develops.

In fact, the three partners have been working together for some time, and the Westminster announcement was its debut because the need is urgent and they want a national platform so that as their work together develops it can be rolled out to other parts of the country, with the blessing of the Department for Education. “We want to have a national influence with what we do” Mitchell says.

Bristol is already a national leader in helping SEND musicians. A new partner of the BMT is the British Paraorchestra, the world’s only large-scale ensemble for disabled musicians which will be resident at Colston Hall whose redesign has access for disabled musicians at its base. Bristol is also home for the National Open Youth Orchestra, to be launched next year as the first disabled-led national youth orchestra, a development of the South-West Open Youth Orchestra founded in 2015 (and another BMT partner).

There is no special funding for the partnership. All three are National Portfolio Organisations getting regular Arts Council funding, and they see opening opportunities for those denied them by the regular system as part of what they are funded to do.

Effectively, the partners are defying funding cuts from central and local government to tackle an issue they perceive as urgent and off other agendas, and the fault does not lie with our conservatoires and music colleges whop are not training SEND musicians.

“It goes further back than that” says Louise Mitchell. “They can only admit people with a certain level of skill, back to basic music teaching in early years. If you assume consciously or unconsciously somebody disabled can’t take part, never going to get on the pathway towards a career.

“Music teaching frighteningly sparse, it’s a postcode lottery, for all children and we are addressing a small but urgent part of the problem.”

 

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