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Dawn Airey, the new chair of Arts Council England, has chosen her inaugural speech in post to point the finger at racism and Islamophobia in the arts in Britain.
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Moira Sinclair, chair of Clore Leadership and for ten years CEO of the Paul Hamlyn Foundation, is to be the new chair of the Joseph Rowntree Foundation.
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Shona McCarthy, for nine years the CEO of the Edinburgh Festival Fringe whose fortunes she revived recording the most successful Fringe year in 2019, has taken up her new post as director of the Arts Council of Ireland.
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Admission to England’s 15 nationally funded museums and galleries is to remain free, culture secretary Lisa Nandy announced today, and there will be no special admission charges for foreign visitors.
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By Jordan Mullineaux
Arts Council England’s 2028–33 National Portfolio Investment Programme has been published, following Margaret Hodge’s review which called for ACE to become less bureaucratic and prescriptive and to radically simplify its application and reporting requirements. There’s genuine simplification here.
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Arts Council England are issuing new guidelines for National Portfolio applicants and introducing a five-year funding period instead of three to give organisations more stability.
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The die is cast, the gamble of a tourism tax – will it raise enough to offset the downturn in foreign visitors some predict, will it be the bonanza many others are promising it will be, what will the income be spent on ? – is on. And the squabbling begins.
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London’s award-winning Gate Theatre is to close after nearly 50 years of presenting innovative drama with a panoply of theatre greats, becoming the most significant victim so far of the current theatre funding crisis. It will close at the end of October.
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A fundraising campaign has been launched for a new woodland community theatre to open in 2027.
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The Science Museum has ended its controversial 25-year partnership with BP after its relationship had “drawn to a close” at the end of August.
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Bono at the Astoria 7 February 2001, The Independent, by Andy Paradise
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It could hardly have been a more appropriate way for the Theatres Trust, the national advisory body for theatres involved in the planning process, to celebrate its 50th anniversary. Thanks to its intervention with its unique expert advice, the Prince of Wales Theatre in Cannock Chase will not, as expected, be closed but will instead be refurbished and reopened by the council’s new Reform-led administration.
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In one of her first official acts since being appointed arts minster Ruth Mackenzie has put an export bar on a Remrandt painting valued at £71m, the most expensive object ever to have been accorded national treasure status.
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The Theatres Trust, set up 50 years ago to be the planning advisor on theatre elements of development proposals, has lost its statutory status on England.
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A gallery of the Natural History Museum that has been closed to the public for more than 80 years is to reopen next month.
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The award-winning National Motor Museum, founded by Lord Montagu of Beaulieu in the grounds of his stately New Forest home more than half a century ago, is to move, the museum has announced.
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Former National Theatre director Rufus Norris will return to the stage for the first time, directing an acclaimed soprano in her first acting role as part of a Beckett festival.
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Tim Reeve, currently deputy director and chief operating officer at the V&A, is to be the new CEO of English Heritage (EH), succeeding interim CEO Geoff Parkin.
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The Princess of Wales in Camelford, Devon, May 12, 1993, Daily Mail, by Richard Lappas
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Ruth Mackenzie, since last year director of arts at the British Council, has been appointed an arts minister under Lisa Nandy at DCMS with a seat in the House of Lords.
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This could be ground-shifting, it could cost the Treasury billions and put beleaguered museums’ accounts in the black for the first time in years. The word “floodgates” is being mentioned. And this is the first you’ve heard of it.
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Culture secretary Lisa Nandy is to keep the job in the Andy Burnham administration she was appointed to by Keir Starmer two years ago, in which she may be given an enhanced role.
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Jessica Morgan, director of New York-based Dia Art Foundation, is to be the next director of Tate, succeeding Maria Balshaw. She will take up the role on January 1.
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