TAITMAIL    No more Fringe benefits

TAITMAIL No more Fringe benefits

 

By Patrick Kelly


The Edinburgh Fringe is the world’s largest arts festival, and that’s its problem. 

TAITMAIL   Talking of the unspeakable…

TAITMAIL Talking of the unspeakable…

Feelings are running high over what rights museums in the UK have to house certain objects, from a three-legged stool in Oxford that is claimed as a national treasure by Uganda to symbols of religious rites for native Canadians and New Zealanders to the Parthenon Sculptures.

THE ART OF PHOTOJOURNALISM Image of the month

THE ART OF PHOTOJOURNALISM Image of the month

Alan Sparrow on another legend of photojournalism, Victor Console

Armouries appoints Edwards as DG

Armouries appoints Edwards as DG

The CEO of Leeds’s Thackray Museum of Medicine, Nat Edwards, is to be the new Master of the Armouries and director general of the Royal Armouries.

McKellen gives £25k for new plays

McKellen gives £25k for new plays

Sir Ian McKellen is offering up to £25,000 to producers to stage new plays and revivals, funded by his successful 80thbirthday tour.

TAITMAIL   The new world of tradition

TAITMAIL The new world of tradition

The new Royal College of Art in Battersea with its infinite spaces and possibilities opened to the public for the first time with its graduate show last month, showing some of the stunning fruits of the minds of young artists who have the latest digital technology at their fingertips, allowing them to fuse moving images, performance and installation in ways inconceivable a generation ago.

Shepherd joins Selladoor

Shepherd joins Selladoor

Selladoor, the regional theatre producer behind the national and international tours of The Jersey Boys, 9 to 5 The Musical and Footloose, has a new executive director in Andrew Shepherd.

Compton Verney’s new CEO

Compton Verney’s new CEO

Geraldine Collinge, director of public programmes at the RSC for 12 years, is to be the new chief executive at Compton Verney.

Perricone to chair Northern Ballet

Perricone to chair Northern Ballet

The Royal Academy of Dance’s chairman is to switch allegiances to become chair of Northern Ballet.

‘Reinvented’ Horniman wins £100k Art Fund prize

‘Reinvented’ Horniman wins £100k Art Fund prize

South London’s Horniman Museum, once a traditional Victorian museum but recast by its director to better reflect its diverse surrounding community, has won this year’s £100,000 Art Fund Museum of the Year award.

Brett Rogers to leave Photographers’ Gallery

Brett Rogers to leave Photographers’ Gallery

Brett Rogers is to step down as director of the Photographers’ Gallery at the end of the year after 16 years.

Cornwall’s museum facing closure after council cuts funding

Cornwall’s museum facing closure after council cuts funding

Truro’s Royal Cornwall Museum faces closure after more than 200 years after Cornwall Council suddenly refused a bid for continued annual revenue funding.

Showroom’s new director is Gabriela Salgado

Showroom’s new director is Gabriela Salgado

Argentina-born Gabriela Salgado is the new director of the Showroom, the London gallery that specialises on experimental collaborations.

Heidi Vaughan to take over at Tobacco Factory

Heidi Vaughan to take over at Tobacco Factory

Heidi Vaughan is to succeed Mike Tweddle as artistic director of Bristol’s Tobacco Factory Theatres.

Probation chief is new English Heritage chair

Probation chief is new English Heritage chair

Gerard Lemos, chair of the prison and probation service, is to be the new chairman of English Heritage, to succeed Sir Tim Laurence in January.

THE ART OF PHOTOJOURNALISM Image of the month

THE ART OF PHOTOJOURNALISM Image of the month

Wimbledon hopeful crashes out, 25th June 1993, by David Ashdown for The Independent

By Alan Sparrow

Di Lees to leave IWM

Di Lees to leave IWM

Diane Lees is to stand down as director general of the Imperial War Museums next year, she announced today.

National Gallery goes national for NG200

National Gallery goes national for NG200

The National Gallery is to mark its bicentenary - by going national in a £95m celebration of its foundation in 1824, which includes a major refurbishment.

Little Amal returns to celebrate Refugee Week

Little Amal returns to celebrate Refugee Week

The national seven-day arts festival celebrating contributions made to this country by refugees is launched today.

SOLT/UK Theatre get job share CEOs

SOLT/UK Theatre get job share CEOs

The co-executive directors of the British Chambers of Commerce are to continue their job sharing as join-CEOs of the Society of London Theatre and Theatre UK.

Art Fund steps up museum funding

Art Fund steps up museum funding

Art Fund is making £2m available to museums in new funding schemes this summer.

MY STORY   The drink that StARTs art

MY STORY The drink that StARTs art

A new art prize is to feature in this autumn’s StART London Art Fair, the exhibition devoted to emerging talent at the Saatchi Gallery. The prize is sponsored by Martin Miller’s Gin and here the brand’s global head of marketing, Robert Eastham, explains how the partnership came together

GOOD PRACTICE GUIDE   Museums: Beyond the gift shop window

GOOD PRACTICE GUIDE Museums: Beyond the gift shop window

At Museums Connections 2022 The Revels Office consultancy led an exploration of how museums can combine innovation, experience and retail strategy to create new commercial programmes. The Revel Office’s project co-ordinator, Jeani Tamakloe, sifts the inputs

Platinum medals

Platinum medals

Honoured in the Queen’s Birthday list

Arts education: ‘It’s not enough minister’ say arts chiefs

Arts leaders, including the artistic director of English National Ballet and the CEO of the British Fashion Council, have today demanded full creative education for all schoolchildren.

 In response to an article in The Daily Telegraph by schools minister Nick Gibb in which announced new initiatives and wrote that “high-quality arts education should not be the preserve of the elite, but the entitlement of every child”, Tamara Rojo, Caroline Rush, John Kamfpner of the Creative Industries Federation and Sir John Sorrell of The Sorrell Foundation, a leading cultural  charity, have said initiatives announced then were not enough.

Main image, Tamara Rojo, CEO and artistic director, English National Ballet

“Arts education will only be truly accessible if all schools, at all ages, deliver creative subjects” they write in a letter to the same paper published today. “This will not be possible until creative subjects are recognised alongside other core EBacc subjects.”

Many schools have stopped offering creative subjects, they go on to say, and in 2017 entries for GCSEs in creative subjects fell by 47,000 from the previous year. Current entry rates to creative subjects at Key Stage 4 have fallen to the lowest in a decade, and statistics cited by Gibb as showing improvement in the offer do not include entries for design and technology, a vital creative subject that has seen entry rates fall by 42 per cent since 2010.

“This will not help to ensure that every child has access to arts education. It is also damaging to our future economy, as the rise of automation will increasingly require the next generation to be equipped with creative and technical skills” the letter says.

 

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