Arts Council England’s 2028–33 National Portfolio Investment Programme has been published, following Margaret Hodge’s review which called for ACE to become less bureaucratic and prescriptive and to radically simplify its application and reporting requirements. There’s genuine simplification here.
It could hardly have been a more appropriate way for the Theatres Trust, the national advisory body for theatres involved in the planning process, to celebrate its 50th anniversary. Thanks to its intervention with its unique expert advice, the Prince of Wales Theatre in Cannock Chase will not, as expected, be closed but will instead be refurbished and reopened by the council’s new Reform-led administration.
This could be ground-shifting, it could cost the Treasury billions and put beleaguered museums’ accounts in the black for the first time in years. The word “floodgates” is being mentioned. And this is the first you’ve heard of it.
So it’s Plymouth’s The Box, winner of this year’s Art Fund Museum of the Year and the £120k that goes with it. And here’s the thing: it mostly won it for the change effect it’s had on the community.
The appointment of Dawn Airey as the 17th chair of Arts Council England (formerly Arts Council of Great Britain) came as a surprise. It shouldn’t have.
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